Wednesday, October 9, 2013

Real Surreal: Prints

Mary Katrantzou - Designer

I adore prints. The more wild and unique the better for me. I have this 1970's jumpsuit in my eBoutique with this very real surreal print. I love the mix of realistic images/photographs with surreal imagery, animated or other prints. It creates the perfect synergy between reality and imagination.


I have seen this trend in prints with three designers this season and on a few red carpets.
Clover Canyon - Olivia Wilde

Gwyneth Paltrow

The Queen of the RealSurreal Print: Greek Designer Mary Katrantzou
 Mary Katrantzou Fall 2013
 January Jones
 Keira Knightly

Shop the look $1,090

Would you wear a print like this?

Monday, October 7, 2013

aMUSEing

Audrey Hepburn in Givenchy

I was looking at a series of images today from W Magazine about fashion designers and their muses. The concept of "muses" originated in Greek Mythology and were the daughters of Zeus and Mnemosyne, goddesses of the inspiration of literature, science and the arts. They were considered the source of the knowledge, related orally for centuries in the ancient culture that was contained in poetic lyrics and myths.(Wiki)

For this application a muse is defined as, a woman, or a force personified as a woman, who is the source of inspiration for a creative artist (1) Fashion designers throughout history have all had muses at one time or another.

In the W piece it was greats like Yoko Ono  (For Proenza Schouler) 
Photo: W Magazine

and not so great's like MIA (for Donatella Versace)

When thinking of the ultimate fashion designers muse I think of Audrey Hepburn and the french designer Hubert de Givenchy. Their relationship was legendary and produced some of the most beautiful and iconic dresses of all time.
Iconic: Givenchy "Breakfast at Tiffany's" LBD - 1961

They met in 1953 on the set of Audrey's film "Sabrina" and they remained friends until her death in 1993. Givenchy told the WSJ, "She was wonderful. She was someone unique. She was real. She could do everything"

Hepburn said (as read in Vogue) "His are the only clothes in which I am myself. He is far more than a couturier, he is a creator of personality," 


1984

Do you have a muse? 

If you were a designer/artist who would your muse be?

Vintage Givenchy via Evolution Vintage

Friday, October 4, 2013

Flashback Friday: 90210 Who Wore It Better?

I remember as a teen watching the 90210 episode when it was time for the Spring Dance. It went down every week in my parents basement with all of my girlfriends (we used to gather to watch the show together). That 1993 TV moment where Brenda and Kelly chose the same dress! GASP! A fashion moment that no one wants to have, seeing someone else in the exact look you have, especially in high school.
This is one of the many reasons I adore vintage clothing. It is RARE you come across the same piece and even more unlikely that you and another would be wearing it at the same event! Fashion for me is all about unique self expression, a difficult task while surrounded with mass market clones. There is a lot to say about styling looks that lends a unique perspective. I have to say I love the pearl and opera glove combo in this case.
This is the first iconic TV case of who wore it better and/or Bitch Stole My Look!

InStyle Magazine named this dress one of the most iconic 'prom dresses' of all time

Were you in love with that dress?

It is by far the closest match that I have ever seen and it's authentically 90's as well.
Price: $90
Condition: Fabulous
Size: Approx Size 8 (See measurements in listing for correct fit)

Would you wear this dress?

Friday, September 27, 2013

Winter Garden

Prints - All available via Evolution Vintage 

Everyone loves a Fab floral in spring/summer but what about for fall/winter? I LOVE dark, earthy prints in all forms but none more than a winter garden.
Nicole Richie is one of my style inspirations. I love her bold style and enjoy watching how she evolves.  I adore this 'Winter Garden' turtle neck Jean Paul Gauliter maxi dress 
Nicole wore recently it to a Nordstrom Gala event. I am not in love with her shoe choice but I ADORE the design of the House of Harlow 1960 clutch. I wish it was made with Vegan materials however. I wouldn't carry the cow bag but I can hope to find an animal friendly alternative with the snake head clasp and the chains.





Do you love Nicole's trip into the Winter Garden?



Wednesday, September 25, 2013

SockStar Status

There is a time and a place for every look. Two mornings ago it was time: To be a SockStar. I forgot how much I loved my Holly Madison 'skater socks'. In a mad dash to get my daughter off to school I felt compelled to Rock the Sock. I styled it with my JustFab Alvinette Moto Boot, denim shorts (decent length, don't get me started on jean shorts with exposed inner pockets) and a TORD (Toronto Roller Derby) top, kindly gifted to me by my 'Wheely Nasty' Sister.

Remember the days of 'The Girls Next Door' and how Holly was a SockStar? She is still Rockin the Sock. It is her signature accessory.


 Kendra Wilkinson & Holly (Buy the Green Socks HERE)

You can also get them at American Apparel for $10 in a RAINBOW of colors! (They have thigh highs too)

This style of sock originated with the Roller Skaters and 'derby' girls of the 1970's a-la-Raquel Welch in the film Kansas City Bomber. Known as the Skater Sock or Tube Sock.


Flash forward to Milan Fashion Week S/S 2014 runway at PRADA was full of the semi-sock aka leg warmer. Boasting the same stripe as the 'skater sock' this "new" chic leg band may be all the rage in the spring.  I may have to give it a try, in a lower priced, likely DIY version.



Are you a Sassy SockStar? Share links to your images and tell me why you would or would not Rock the Sock! 

Sunday, September 22, 2013

The Napier Co: A Complete History

Tonight at the Prime Time Emmy awards Hollywood's finest take the walk down the red carpet in gorgeous gowns and fabulous jewels. I always think of the stunning looks when award season rolls around, especially the jewelry. It made me think of the history of jewelry and compelled me to share the ULTIMATE resource guide to the history of the Napier Company.  Seriously this is THE MOST comprehensive and extensive reference book on jewelry that I have ever seen. PS- I'm obsessed with jewelry, own a Vintage clothing and accessory company and have been a student of fashion my entire life, so I have seen my fair share of books on the subject. This book by Melinda L. Lewis with Henry Swen is a serious feast for the eyes, a gift for fashion historians and women who have a passion for jewelry.
Napier Cuff c. 1954

There are 1011 pages backed with over 4,000 high quality photos and information. The book walks the reader through the historical emergence of jewelry in fashion and it's place in the era's preceding Napier's conception. It guides you through the  initial history of the Napier Co., starting in 1875 and decade by decade discusses the significance of this company's impact on the costume jewelry market and in fashion. 
Excerpt from the book

A pictorial history accompanies all of the facts with amazing images of jewelry pieces, sets, original sketches of designs and Napier advertisements. She also provides a detailed look at clasps, findings and stamps which is a great resource when trying to date your Napier pieces.
1970-Ad: Francis Fujio, Napier Co. Archives.

Melinda spent the better part of 11 years researching and gathering data, images and facts from many resources, including individuals who were employed by the Napier Co. 

I had the chance to chat with this Author and Jewelry Maven recently,
Melinda

LG: Why Napier? 

ML: I had the opportunity to purchase some Napier jewelry in 2001. I was fairly new to collecting and eager to learn everything I could about costume jewelry. I had taken the pieces of Napier and spread them out on the family room floor while trying to organize the jewelry by decade. There were some pieces I could identify as being 1950s, but I realized too there were many pieces which I could not accurately identify, and I could not find any resources that had the information I needed to circa date the jewelry. Having only a single paragraph or so about the company’s history available on the Internet, it occurred to me that if this company had been in business since “1875,” there had to more substance to the company than the brief summary I found available. With search engines not being as advanced as they are today, it took me a while to locate the name of the former president of the company, but once I did, that first contact led to 11 years of research.
LG:  What was your favorite part of this journey? any items/info particularly harder to find? 

ML: One of the favorite parts of this experience was to share with former employees how much collectors loved the product. How they (the Napier employees) related to the jewelry was very different. Yes, they were proud of their work, but they had no idea people wanted to know everything they could about a piece; from how it was made to the designer who created it. For many, Napier had been part of their family for generations. It was a job … a good job, and folks always said it had a family-like atmosphere, but they had no idea about the world of costume jewelry collectors. It was great fun for them to see how excited I would get over a piece or when I learned an inside story. These folks were responsible for bringing so much enjoyment and pleasure to the world through their art and skill in making jewelry.
I remember once being down in Florida, interviewing former president and CEO, Howard Schaefer. We were in the middle of a nice conversation talking about the history of the company and about Mr. Napier. I was recording the conversation and of course I was in heaven, then he abruptly turned to me and said, “Why in the hell do you want to write about Napier? Turn that damn thing off!”  I think many employees were a little dumbfounded that I found the company interesting. Nevertheless, Mr. Schaefer was incredibly charming, and we had a fabulous time with both him and his wife. I learn some amazing things about Mr. Napier, most of which I kept out of the book and private.
LG: Who was this book created/written for?

ML: The book was written first for both the collector and the fashion historian. I felt there was a void in the documented history of the Napier Co and the history that was available was either incomplete or inaccurate. However, as the research got more involved, and I had interviewed with more Napier employees, it became a project written for the legacy of the company and its employees. It was a way to recognize Napier and its significant influence in fashion adornment over decades.
One of her all time FAV pieces: "Horse Nail."

LG: Do you have a large Napier jewelry collection? 

ML: I do have a number of Napier pieces and perhaps more than the average collector of vintage costume jewelry. However, my collection pales in comparison to some Napier collectors who have been collecting for decades, or who live near Meriden where the old plant use to be.  Napier use to sell jewelry very inexpensively at a factory outlet store; it was the first company in Meriden’s business district to open a factory store and it proved to be a very profitable move for them. Ultimately, the company opened 10 factory stores around the country.

This past year, I have tried to acquire more pieces as my goal will be, to someday, share this collection in some sort of exhibit. But, as Napier becomes more sought-after, it is getting harder for me to purchase it than ever before.  

This reference book is a steal at $139 and  I feel so fortunate to have it as part of my showroom library.
PURCHASE THE BOOK HERE AND SAVE $10
(Final Prince $129)

Connect with Melinda

Will you buy the book? or do you have it? 
share your comments below!